![]() ![]() The opening movement is in an Allegro tempo in 2/4 time, and follows classical Sonata-Allegro form. Therefore, the sound and range for this concerto is quite adequately realized by the modern trumpet. The mouthpiece was shallow and cup-shaped like that of a trumpet, and the instrument was as long as the eighteenth century Yager trumpet and also had its same bore size. The work was originally written in E flat major, though either Hummel or Weidinger (or possibly both) made a less frequently played version in E major.This three-movement composition, now played on the modern trumpet, was originally written for a hunting horn or corno di caccia (also called a trompe de chasse, cor de chasse), a valveless horn coiled in the style of modern French horns, and used in the works of J.S. One final note: the concerto exists in two different forms. A plaintive Andante follows, and the work concludes with a sprightly Allegro that includes much brilliant writing for the soloist. Not only is the soloist given a thorough workout, but the orchestral support is similarly spirited the writing for the woodwinds is particularly effective. The concerto opens with a celebratory Allegro con spirito that is notable for a few unusual modulations, likely included to show off the instrument's expanded capabilities. In the end, Hummel's work proved equally as successful as Haydn's, and Weidinger subsequently played it throughout Europe. ![]() Moreover, it was Haydn who seven years earlier had written the first concerto for Weidinger's keyed instrument. He had just succeeded Haydn as Kapellmeister at the Esterházy court - a position Haydn had held for some 30 years - and counted himself among the elder composer's good friends. The imposing figure of Haydn must have been prominent in Hummel's mind as he undertook the commission. ![]() In 1803 the famed Viennese trumpeter Anton Weidinger requested from Johann Nepomuk Hummel a new concerto for his keyed trumpet, a recently developed instrument that allowed the player to produce far more chromatic notes than had previously been possible. ![]()
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